the Hunter and the Swan Discuss their Meeting at Sundance 2011

 
the Ghost and Us title

<img src="Moira Dennis and Maria Dizzia in the Ghost and Us by Emily Carmichael

Maria Dizzia and Moira Dennis in the Ghost and Us by Emily Carmichael

Moira Dennis and Geordie Broadwater in The Ghost and Us

 

 

2009 • Fiction • TRT 10:07 • DVC PRO • 16:9 • Stereo

Synopsis

Laura's thrilled with her new boyfriend, not so thrilled that his house is haunted by the ghost of his dead wife.  But when she finally decides enough is enough, it turns out playing ghost buster is harder than she thought.  Over a night that includes microwave s'mores and a shoot-out with holy water, Laura has to ask herself--how do you exorcise a ghost whose name is on the lease?

Cast

Maria Dizzia
Moira Dennis
Geordie Broadwater

Laura (the girl)
Sena (the ghost)
Ben (the guy)

Crew

Emily Carmichael
Jason Moring
Josh Hetzler
Katy Scoggin
Nadiah Hamzah
Dominique Deleon
Jason Sokoloff
Tamara Rodriguez Reichberg
Stephen Bono
Maddie Elfenbein
Kerry McSweeney
Jacob Yoffee
Iaeden Hovorka
Luis de Leon
The Molecule

Writer, Director, Editor
Producer
Producer
Cinematographer
Camera Assistant
Location Sound
Gaffer
Key Grip

Boom Operator
Boom Operator
Makeup
Original Score By
Sound Design
Visual Effects
Visual Effects

 
   

 

Director’s Statement by Emily Carmichael

When I wrote The Ghost and Us  I was inspired by an image from Takashi Shimizu's The Grudge. The girl protagonist has a baby ghost hiding in her covers and a woman ghost leaning over her headboard, and for the space of a wide shot the three figures look like a strange, half-haunted family. This image made me think about humans and specters in relationships more complicated than just boo, scream, head-goes-180.

I think we've all had the experience of a past relationship haunting a present one. Each half of the couple experiences it differently, depending on whose ghost it is. I was particularly interested in the relationship YOU have with your BOYFRIEND'S ex, how you end up having kind of a relationship with that person even though you never meet them. You define yourself in contrast to their flaws and feel needled by ways they surpass you. In every new relationship we make an implicit promise to be better than the ex, to be fun where they were boring, constant where they were disloyal, present where they abandoned ship.  The effect is magnified when the ex has a dramatic or traumatic backstory, especially something that's hard to talk about in the present day. InThe Ghost and Us  I want my audience to follow me through the fun of the comedy and the fantasy to the line where those take a sharp turn toward something darker.

 

 

 

 

 

 

 



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